The script called for a sequence with a Chinese farmer and his son, to be shot on a farm well outside the city. I had permission to shoot on the farm for only one day, Sunday, so we had to start early Sunday morning.
The actor playing the farmer was already at the location. With my crew I was waiting for the arrival of the boy who had been hired to play the part of the farmer’s son and who was to come with his mother. The mom, luckily, spoke good English. She would spend the day taking care of the boy while we worked. But they were late.
We sat there and waited.
Whoever first said that time was money must have been thinking about film production. We waited some more.
Finally, I could see the two of them hurrying toward us. The mother apologized profusely; the lad had slept late. Fine, I said, get in. Let’s go.
As we started off, the woman had a request. Her son had had no breakfast. Couldn’t we get something? He could eat it while we drove to the location.
If you’ve ever spent a very early Sunday morning in Hong Kong – and who hasn’t? – you are aware that the town is closed up just about as tight as a drum. However, I did espy a small hole-in-the-wall sort of place that seemed to be open. It had a sign in front that read “Portuguese Cakes.”
I had no idea what those were but any port in a storm, as the saying goes. I gave some money to my assistant and told him to get something for the kid’s breakfast.
We waited some more.
When the assistant showed up I was startled to see that he had a large tray loaded with half-a-dozen containers of the aforesaid cakes. It seems that a Portuguese cake, at least in Hong Kong, was a variation on the cream-puff theme: each container had a sizable piece of cake on the bottom with a whopping amount of thick whipped cream on the top. It was difficult just to have to look at such stuff early in the morning.
I believe that kid had never tasted anything like those “cakes” before; he ate them all, and with gusto.
To get back to our production, no one had told me that the farm, our location, was on top of a hill. Nor that the only way to get to it was on a small winding road – which zigged off to the left, then zagged off to the right, etc., etc.
The inevitable happened.
Our boy actor suddenly let loose with a monumental upchuck, probably of a dimension never before seen in that part of the Orient.
The rear seat of our vehicle – and unfortunately not just the rear seat – was covered with gobs of partially-digested gateaux portugais, which had somehow become transmogrified into something rather like Elmer’s Glue, except that the smell was far worse.
As we continued toward the location, I could only wonder if Scorsese ever had problems like this. :-)
